John Green possesses a way with words that makes me contemplate life every time I read one of his works. In ‘The Fault in Our Stars’ it was “Some infinities are bigger than other infinities” in ‘Looking for Alaska’ it was “How long is an instant?” (a quote which actually inspired a story I plan to write). In ‘Turtles All the Way Down’ it was “No one ever says goodbye unless they want to see you again.”
Usually, when I read John Green books, I fall in love with the story but cringe the entire time I read it because I cannot stand his writing style. Yet, in ‘Turtles All the Way Down’ I did not cringe. I really enjoyed Green’s writing style for this one. I am sure if it is the same as his previous books and I have just matured or if he is writing differently now that he has finally returned.
I loved the protagonist’s name: Aza. Named because her parents wanted to give her the whole alphabet, wanted to give her all of the possibilities it had to offer. If that’s not romantic I don’t know what is.
I found Aza to be incredibly relatable, and I don’t know if that is something that I should be wary of (read the story to know why). The way her mind works reminds me of how my mind works. I think that’s why I enjoy writing. When I write, I create a physical proof of my thoughts, I get them out of my head and free up storage. Though my thoughts are not as severe as Aza’s I can relate to feeling trapped in one’s own mind.
Daisy, Aza’s best friend, gives a good sense of reality, even though she pretty much lives in her fan fiction. Her and Aza get into a fight at one point throughout the novel, and it was a reality check to me–the reader, not just Aza. That’s something rare in a book, at least how I see it.
The ending was justified, which is something I think that John Green is good about doing. He never creates a far-fetched ending. The ending was practical and realistic and made sense for all of the characters involved, which is something I enjoyed.
This book. I really don’t know how to explain it. But it reached me. Now, as I’m writing this review, the plot and the words are spiraling in my mind. I can only think of the book. How it will stay with me.
Final rating: 5/5
Let me start this review by saying that Batman is my favorite superhero, so I went into this extremely excited to have a fresh take on the Caped Crusader.
Ultimately, I was disappointed. I enjoyed many parts of the book, how little hints of who Bruce would become were woven throughout the chapters, but I’ve seen this plot before, specifically in DC Icons, #1 Wonder Woman: Warbringer. Similarly to Warbringer, there is a rich kid whose father loves their friend more than them in Nightwalker, we also had a similar plottwist involving one of the rich characters (which I won’t describe) in Warbringer, though the plottwist their is more important than here.
Also, every time Madeleine, the antagonist, was described, the words ‘lushous lashes’ followed. I get it, she has good lashes, but every time she is mentioned in the story I don’t need to be reminded of it.
The initial description of Arkham Asylumn reminds me of the prison in Lauren Oliver’s Pandemonium. And the VR gym that Bruce goes to has to be invented soon because I want to go to a gym like that!
I am disappointed that Nightwalker recycled Warbringer’s plot and I am really hoping that Catwoman: Soulstealer doesn’t do the same, otherwise this series of four could turn into the same book with different titles and characters. Here’s to hoping that Catwoman can redeem the DC Icons series.
This is a book that I rented from Overdrive, and I am so glad that I didn’t waste my own money on it.
The protagonist, Hawthorn, acted like a twelve-year-old for the entirety of the novel. It was very stand-offish to read a YA book that had somebody who acted like a middle schooler as the main character. She was never focused on anything, except obsessing over Lizzie Lovett. She was rude, inconsiderate, childish and didn’t take anything seriously. She was vengeful and misunderstanding. Frankly, she treated the characters around her like trash and they didn’t deserve to be treated that way. She was self-obsessed and self-absorbed and the only thing that stopped her from thinking about herself was her ridiculous fantasies.
Furthermore, all of the characters were flat. The was no development beyond ‘mean popular girl’ or ‘outcast best friend’ or ‘professor dad’ and ‘hippie mom’. The only interactions between Hawthorn and her father felt forced. It was as though the dad existed to fill a role, not to be a character.
The title for this work should have been “Probably Maybe” because it was written more times than the words “Lizzie Lovett”.
To be honest, I’m not sure how this work was published, let alone how it has a 3.25 overall Goodreads rating.
When I first started this book, I listened to the audio version, I was excited. The prologue was full of action and intrigue and made me want to continue on and learn more about the characters.
And then the actual story started.
First off, I noticed that the prologue was in third-person and the rest of the story was in first-person. That threw me off. I thought that there was maybe something wrong with the audiobook. I was really excited for the storyline to continue through from the prologue, but it almost instantly took a different turn.
It took over half of the book to figure out what had happened to the main character, Malory, through segmented flashbacks. The flashbacks connected to the prologue, which was good and bad. Good because there was a connection between the actual story and the very beginning. Bad because the flashbacks were choppy and incomplete, a contrast to the straightforwardness of the prologue. It should not take over half of a book to understand why the protagonist is the way they are. I wanted to know far sooner.
I was also looking forward to this being a coming of age story that came full circle. That did not happen. It was rather slow and turned into a love story and I don’t think it ever came full circle. I feel like half of the book could have been cut out and it would have been the same story, that’s how excessive and slow it was.
Overall, the beginning was great and super intriguing, but the slowness and the falling back into typical love story YA cliches ruined the book for me.
And my obsession with Wonder Woman continues!
I have wanted to read this book since the second I discovered it was coming out. And I was not let down.
‘Wonder Woman: Warbringer’ shows a different Diana and Themyscira than the one that Patty Jenkins showed us in the movie. We see more of this ‘Cult Island,’ as it is called, and we learn more about the Amazon way of life, rules, and regulations. The Amazons and their culture is more developed than in the movie. I really enjoyed seeing Diana in this light, and I don’t want to spoil anything so I won’t develop that any further.
In ‘Wonder Woman: Warbringer’ Diana is innocent. But she is also a kid; seventeen to be exact. She fights being the youngest of her people and being a teenager in modern day New York. That is something that I really enjoyed about the read, Diana was relatable in a way that isn’t really relatable. She doesn’t know how to work a smartphone, has never seen anything plastic, and has never flown in an airplane…but the way she feels about all of these new things is so relatable because we’ve all been there and experienced new things.
The ending was a twist that even I wasn’t expecting, and I’m pretty good at expecting twists. And that’s exactly what brought this book to five stars. The writing was well done, the characters well developed, which I enjoyed. But the twist ending worked. It didn’t seem far-fetched and fit character personalities. The twist ending was a real make it or break it moment; depending on how Leigh Bardugo handled the situation it could have gone off the rails and ruined the entire novel. But it didn’t. It tied it together really well and mended my heart (that had shattered a few pages beforehand).
Over 5/5 stars for a well-written ending that knew it’s characters.